Film Catalogue

With The Alphabet, Lynch took his first step into live-action, and the result remains one of his most unsettling short films. Inspired by a nightmare experienced by the niece of Peggy Lentz, the film thrusts us into a claustrophobic realm where the alphabet itself becomes a torment, chanted endlessly by a childlike chorus. A woman trapped in this linguistic nightmare conveys a raw anxiety about expectation, social pressure, and the fear of being reduced to a mere fragment of the crowd.

Lynch’s very first film, created during his studies at the Pennsylvania Academy of the Fine Arts, is a brief yet jarring collision of painting and cinema. This 16 mm stop-motion piece shows six figures vomiting in an endless loop, accompanied by a wailing siren. It is grotesque, primal – a clear sign of Lynch’s early fascination with human vulnerability and distorted inner worlds.

Two extraterrestrials traverse the universe trying to share technological breakthroughs with less brilliant minds.

A powerful wind lifts ordinary people into the sky, forcing them to confront unexpected encounters, new perspectives, and the unpredictable turns of life.

Pernille struggles to accept that she cannot stay thirteen forever and decides to write a memoir about her life.

Astrid’s only friend, Kristin, is moving away. When their doll play reminds Astrid that she’ll soon be alone, tension grows between the two friends.

In a world covered by wild weeds, a beautiful, hidden garden lies tucked away. When a violent storm flings weed seeds into the garden, the gardener must fight to protect what she loves.

Dad asks Mathilde (5) to tidy up her toy cars, but cleaning up isn’t exactly her favorite activity. Luckily, her two small imaginary friends appear — and things are about to get wild!

A little girl is lying on the floor in her room. When it starts to rain, she falls asleep and embarks on a journey with mice through a dream world.