Film Catalogue
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Using the well-known MGM Studios logo as a point of origin, Heske has played around with the internationally known icon to make the lion behave in ways quite unlike what we have come to expect. The film can therefore be experienced as a meta-commentary on the history and development of the film industry.
Among the pensioners aboard the Mediterranean cruise ship Neoromantica, Mary is on holiday with her Swedish family, feeling painfully out of place as an early teen. That is, until she meets Abdel. Under the whimsical Aegean moon, sweet love entwine with the enchantment of Greek myths.
distribution@eccefilms.fr
Restoration of a degraded peatbog through the careful relocation of sphagnum moss, a keystone species in peat formation and carbon storage. A vivid portrait of a wetland returning to rich ecological abundance.
Pol is 21 and lives with his grandmother. He dreams of living in Miami and generating 10k € a month. He attends personal development events, follows online coaches and invests in cryptocurrencies. The only thing he knows for sure is that one day, he'll achieve his goals.
flavio.armone@lightsonfilm.org
History revolves around the Alexander Column on Palace Square in St. Petersburg, as if it were a cursed axis of time.
Brutalist architecture, a toll elevator and the surrealism of the environment are the daily life of Mzia, a former sniper overseeing this unique transportation system. A loving portrait that also reveals the weird sides of modern, bureaucratic Georgia.
b.friese@sfp.org.pl
Through a montage of contemporary footage and archival material, the film depicts the reality of the Nazi concentration camps. A sober, poetic essay on memory, responsibility, and Europe’s darkest chapter.
A group of boarding school boys rebel against the school’s authorities in a series of humorous yet poetic episodes. The film builds toward an anarchic uprising that challenges all discipline and order.
A visual study composed of three time-lapse sequences capturing sun-drenched places as darkness gradually consumes them. Thematically it echoes Boat, but here language is abandoned entirely. The slow pace, mechanical intervals, and the interplay between architecture and nature evoke the structural rigor of James Benning’s cinema.










