Film search

A widowed mother and daughter’s ascetic life in an isolated village in the Caucasus mountains is interrupted by the arrival of a foreign traveler in need of shelter. His presence awakens an erotic longing in both women.

Truls must tell his boss that he is pregnant. There is just one problem: Truls is a man.

Two sisters meet after a few years of being apart, but the past seems to be the only thing that binds them together.

Two creatures meet on a tree. Their encounter goes deep down to the roots and beyond.

In the remote lands of New Zealand's South Island, the desolation of land and spirit forges an unexpected connection between two isolated strangers who, unbeknownst to them, are each other's only path to salvation.

Erik has been fired and wants his job back. When that fails, he and two of his friends occupy the office of the boss.

This cameraless video work features animated, digital northern lights and a luohti (a Northern Sámi yoik) by indigenous sami musician Ánnámáret on homeless, wandering spirits.

Two newly-dead ghosts walk the streets of Athens, among the pulsing cityscape and the ghosts of history. They were outsiders in life: he, a queer Lebanese translator; she a half-Irish photographer. They wander the city together, finding consolation in the difficult beauty of life and its aftermath.

A poignant portrayal of dance as a transformative force in Joseph’s life, contrasted with the challenges of living with disability. The film expands the idea of dance as a universal language and a powerful space for expression.

In a camping site swamp of aging musicians and swarms of mosquitoes, rumors spread that legend Joey Tempest has moved in. As the adults smoke and shout, two-year-old Alba plots her escape from the rickety porch.

As the winter season begins in Crete, a family of locals, owners of a small struggling bed & breakfast, gets an unexpected visit from a Norwegian family of tourists looking for a tour into the piratic past of the area.

Every night, Paulette watches the same shooting star, wishing to find her missing pet rat. Days pass, but it doesn’t return, and she wonders why her star has failed.

Girls have been cultivated like flowers for generations. We need more growing seasons to breed new ways into the system.

At the Baltic’s halocline, where salt and fresh waters tense against merging, three coastal dwellers embody the memory of the sea and reflect on vulnerability, adaptation, and resilience.

Molecular gastronomy, pretentious self-realization, and the weird choice of having children are all ingredients in this semi-apocalyptic double date from hell.

After the loss of their only daughter, the parents are left shattered by grief. When she suddenly reappears at their door — weak, starving, yet alive — they welcome her back, and life seems to return to normal. But that doesn’t last long.

Immigrants from Sub-Saharan Africa have chosen to start their lives over north of the 49th parallel. Here, in the vast expanses of Northern Canada, they reflect on the challenges and splendors of a season they’ve never yet experienced: winter.

Restoration of a degraded peatbog through the careful relocation of sphagnum moss, a keystone species in peat formation and carbon storage. A vivid portrait of a wetland returning to rich ecological abundance.

A charming fusion of everyday craft and artistic ritual. Over the course of half an hour, Lynch builds a decorative lamp while calmly explaining materials, tools, and process. A minimalist soundtrack — a slowly evolving percussive loop — turns the simple act of making into a kind of meditative performance.

A visual study composed of three time-lapse sequences capturing sun-drenched places as darkness gradually consumes them. Thematically it echoes Boat, but here language is abandoned entirely. The slow pace, mechanical intervals, and the interplay between architecture and nature evoke the structural rigor of James Benning’s cinema.

Three twisted tales of macabre horror unfold, all linked by an antiquated digital camera from 1997. The tales intertwine, creating a narrative that is both terrifying and hilariously absurd.

When Kaali discovers that his dog has been stolen, he goes on an intensive search for the thief through the town of Tasiilaq, East Greenland.

A fearless four-year-old sets out to conquer the steepest hill in town with his homemade Gravity Racer.

At sunset in Red Hook, Brooklyn, this site-responsive butoh performance film explores liminal space and ghostly energies emerging between land and water, day and night, body and landscape.

This cameraless video work features animated, digital northern lights and a luohti (a Northern Sámi yoik) by indigenous sami musician Ánnámáret on homeless, wandering spirits.

Lynch was invited to play directly with film history in Lumière et Compagnie, where 41 directors were challenged to make a short using the Lumière brothers’ original camera. In just sixty dense seconds, Lynch sketches the aftermath of a young girl’s death, intercut with abrupt, surreal tableaux: masked torturers, a naked captive, a bed standing alone in a forest. Short, brutal, and unmistakably Lynchian.

Through flickering lights, floating kites and pianolas, the film creates a dreamlike, almost utopian portrait of Doha — a city living its own life, independent of its inhabitants. It explores hidden aspects of modernity: automation, alienation and the strange poetry of the urban.

Kjell has lived in the same house since birth. But not all the memories held within its walls are happy ones, and in the autumn of his life, some things he would rather have forgotten creep back into his consciousness.

Using the well-known MGM Studios logo as a point of origin, Heske has played around with the internationally known icon to make the lion behave in ways quite unlike what we have come to expect. The film can therefore be experienced as a meta-commentary on the history and development of the film industry.