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Somewhere in rural DEN, a house awaits its farewell. A family holds its breath. And something is slipping away.
When caught shoplifting, Nora pressures her younger sister to confess to her part in the stealing, only discover they aren’t the only thieves in the family.
When Kaali discovers that his dog has been stolen, he goes on an intensive search for the thief through the town of Tasiilaq, East Greenland.
A fearless four-year-old sets out to conquer the steepest hill in town with his homemade Gravity Racer.
Laura is a Skolt Sámi woman who grew up outside the Sámi region. Through quadrille dance she reaches out to her unknown cultural heritage.
A fearless four-year-old sets out to conquer the steepest hill in town with his homemade Gravity Racer.
Yes, we know about the photographs. Scientists took them while looking for the American flags which were planted onto the moon during the six manned missions there. The shots show that five of them are still in the same place. Only the flag of Apollo 11 seems to have moved.
Surrounded by babies at her sister’s baby shower, Eva is forced to fend off questions left, right and centre about when she’ll be starting a family of her own.
Lynch’s very first film, created during his studies at the Pennsylvania Academy of the Fine Arts, is a brief yet jarring collision of painting and cinema. This 16 mm stop-motion piece shows six figures vomiting in an endless loop, accompanied by a wailing siren. It is grotesque, primal – a clear sign of Lynch’s early fascination with human vulnerability and distorted inner worlds.
Two young women are enjoying the wild surroundings of an isolated lake. It's a sunny day.
Suzi is the voice of her generation — the virtual voice, that is. She is lit by temporary outrage. A trending indignation. A passion that is fashion.
Three women gather in an old bathhouse and reflect on the body’s natural transformations through puberty, childbirth, and menopause. Blending documentary, fiction, and dance, the film explores movement as a way to understand and express emotions tied to bodily change.
Lester wants Alva to tell Geir that the relationship they had was wrong due to their age gap.
In a coastal town, women are not allowed to sing. A teenager joins a singing competition for a chance to move to the city, while hiding his true voice.
A data engineer rushes through life, believing multitasking saves time — but it only creates chaos. Despite his strict control over time, nothing gets done: his home is a mess, work overflows, and the breakfast is always burnt.
Ravel’s Bolero, renowned for its contagious rhythm and universality, is reimagined through Mehdi Kerkouche’s inclusive and visually driven style. The film captures scenes from a young life in Créteil through energetic and accessible dance.
'I have been fascinated by William Shakespeare all my life. Already at the age of seventeen, I traveled to Stratford-upon-Avon and spent a summer there. In [this] video, I pursue themes related to roles and the stages on which they are played out — in this case the religious, the musical, the artistic, and the arena of life itself, which culminates in death.'
In an attempt to reconnect with his feelings after his mother’s death, Oscar attends a Burning Man-inspired festival in the Swedish woods.
The ruthless real-estate broker and gambler Akio Kashiwagi risks everything in a high-stakes game driven by greed and desire.
During an evening car ride, Johan opens up and reveals a deep secret, he is at a crucial turning point in life. Silence fills the air as Johan dares to be vulnerable, awaiting the reaction. This momentous event will shape their relationship in a way that lasts forever.
An overwhelming cacophony of noise shapes the everyday life of a boy growing up in a dysfunctional family.
An examination of how large language models and generative AI may create algorithmic narratives, recontextualizing a line from Marguerite Duras’s screenplay for Hiroshima mon amour (1959): “You didn’t see the hospital in Hiroshima.”
A fearless four-year-old sets out to conquer the steepest hill in town with his homemade Gravity Racer.
In a dilapidated house by the ocean, a woman, worn down by time and solitude, lives a reclusive life. Every day, she performs the same unsettling ritual: extracting thick black algae from the pipes, cracks and invisible fissures, as if the house were rotting from the inside. Every afternoon, she drags this living matter to a cliff and throws it back into the sea.
At a midnight highway rest area, the weary travelers each quietly relax their minds. A brief moment spent with complete strangers is lonely yet somehow comforting.
Video portraits of Anne and Peter, which entirely revolve around the idea that everyone plays their roles. 'I went to Speakers’ Corner and listened to those standing on their boxes preaching. One believed he was Jesus, so he invited me home to talk about what he was doing. Peter was fiery red-haired and a convinced Marxist, and Anne from Ireland was a super-feminist. Everyone is blessed in their own belief, you might say.'
The camera focuses on a cud-chewing camel, the sound has been dubbed to give the impression of a distorted discourse on video art.
Tatiana, an unemployed woman, spends her days selling her personal things in order to survive. Today she has an important deadline and she might end up selling a piece of her body in order to keep a roof over her head.
While Eraserhead was stalled in production, Lynch created his first fully live-action works – two versions of the same short monologue, recorded as camera tests for the American Film Institute. In both films, a legless woman sits writing a bitter, heartfelt letter while David Lynch himself appears as the nurse tasked with changing her bandages. The result is strangely mundane yet deeply uncomfortable, marking the beginning of Lynch’s collaboration with Catherine Coulson, later celebrated as the Log Lady in Twin Peaks.
A poignant portrayal of dance as a transformative force in Joseph’s life, contrasted with the challenges of living with disability. The film expands the idea of dance as a universal language and a powerful space for expression.